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9 Designers Share the Paint Colors They Use to Make a Statement | Architectural Digest


Though minimalism still has a devout following of designers, maximalism—with its bold patterns, supple textures, and eye-catching motifs—is thriving in today’s interiors. A high-impact, can’t-miss-it hue might be the pièce de résistance of any bold room, but choosing the right paint colors for your space is often easier said than done. On the one hand, a maximalist shade should make a statement—a visual exclamation point if you will. But at the same time, selecting a color that’s too bright can upstage the rest of your decor, throwing your room’s vibe out of whack in the process.

And as if mastering that balance between eye-catching and cohesive wasn’t challenging enough, you’ll also need to pay attention to the room’s lighting conditions as well as your preferred undertones. So, the big question: Where start your search? AD PRO chatted with nine designers about their favorite statement paint colors—from malachite green to sunny yellow, the tones below are equal parts bold and beautiful.

FTT-012 by Mylands

FTT012 by Mylands.

“This color goes beyond trends and remains timeless. It’s a jolt of nature, evoking rich forests, deep seas, and precious stones. This interior, which is featured in our book, Making Living Lovely: Free Your Home With Creative Design (Thames and Hudson), features Mylands FTT-012. Green is calming and has a powerful connection to the outdoors, something that is so important for our well-being. As it does in nature, this color also works as a wonderful companion for our favorite pinks, sky blues, lilacs, and earth tones. In this photo, the color reveals itself as you turn the corner into the space and notice the wall of greenery in the garden beyond the double doors. A lovely surprise in such a neutral space.” —Jordan Cluroe and Russell Whitehead, 2LG Studio

Sunshine on the Bay 347 by Benjamin Moore

An interior at the Playa Grande in the Dominican Republic features black, white, and yellow (a close approximate of which is Sunshine on the Bay 347 by Benjamin Moore).

Photo: Karyn Millet


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